Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 11
... society , primarily because passing's very foundation is constructed on the premise of racial deceit ; in this sense , passing belies empirical study . Passing occured in the opposite direction as well . In the widely popular nineteenth ...
... society , primarily because passing's very foundation is constructed on the premise of racial deceit ; in this sense , passing belies empirical study . Passing occured in the opposite direction as well . In the widely popular nineteenth ...
Pagina 30
... society ( i.e. , music , dance , and literature , especially ) enjoyed tremendous notoriety and patronage from ... society . Harlem was chosen as " The Culture Capital , " uniting various masses , classes and races of American society ...
... society ( i.e. , music , dance , and literature , especially ) enjoyed tremendous notoriety and patronage from ... society . Harlem was chosen as " The Culture Capital , " uniting various masses , classes and races of American society ...
Pagina 35
... society , however , validity and truth appear to be at odds : Truth is , that Gershwin was the first generation son of Russian immigrant Jews , and was probably not recognized as fully white in proper American circles . Truth is , also ...
... society , however , validity and truth appear to be at odds : Truth is , that Gershwin was the first generation son of Russian immigrant Jews , and was probably not recognized as fully white in proper American circles . Truth is , also ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York