Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 29
Pagina 5
... sound . What had been embodied on the stage , became articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men ...
... sound . What had been embodied on the stage , became articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men ...
Pagina 16
... sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by ...
... sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by ...
Pagina 18
... sound culture not solely as a larcenous act per se , but more specifically as a symbolic act of musical passing ... sounds in modern Western society . I want to speak specifically to the dialectic of race , which I perceive not only ...
... sound culture not solely as a larcenous act per se , but more specifically as a symbolic act of musical passing ... sounds in modern Western society . I want to speak specifically to the dialectic of race , which I perceive not only ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York