Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 5
... sound . What had been embodied on the stage , became articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men ...
... sound . What had been embodied on the stage , became articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men ...
Pagina 16
... sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by ...
... sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by ...
Pagina 18
... sound culture not solely as a larcenous act per se , but more specifically as a symbolic act of musical passing ... sounds in modern Western society . I want to speak specifically to the dialectic of race , which I perceive not only ...
... sound culture not solely as a larcenous act per se , but more specifically as a symbolic act of musical passing ... sounds in modern Western society . I want to speak specifically to the dialectic of race , which I perceive not only ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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