Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 8
... speaks across perceived ideologies of racial and cultural differences : Roediger's analysis does not engage music ; Cockrell engages discussions of music , but largely abandons race in his framework ; Lhamon's folkloristic thesis ...
... speaks across perceived ideologies of racial and cultural differences : Roediger's analysis does not engage music ; Cockrell engages discussions of music , but largely abandons race in his framework ; Lhamon's folkloristic thesis ...
Pagina 26
... speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the power of music cannot ...
... speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the power of music cannot ...
Pagina 47
... speaks directly to a " complex drama of Americanization " whereby Gershwin himself performed the American trope of racial impersonation musically and contextually by " donning the prescribed dress and singing the prescribed song . " 56 ...
... speaks directly to a " complex drama of Americanization " whereby Gershwin himself performed the American trope of racial impersonation musically and contextually by " donning the prescribed dress and singing the prescribed song . " 56 ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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