Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 8
... speaks across perceived ideologies of racial and cultural differences : Roediger's analysis does not engage music ; Cockrell engages discussions of music , but largely abandons race in his framework ; Lhamon's folkloristic thesis ...
... speaks across perceived ideologies of racial and cultural differences : Roediger's analysis does not engage music ; Cockrell engages discussions of music , but largely abandons race in his framework ; Lhamon's folkloristic thesis ...
Pagina 26
... speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the power of music cannot ...
... speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the power of music cannot ...
Pagina 47
... speaks directly to a " complex drama of Americanization " whereby Gershwin himself performed the American trope of racial impersonation musically and contextually by " donning the prescribed dress and singing the prescribed song . " 56 ...
... speaks directly to a " complex drama of Americanization " whereby Gershwin himself performed the American trope of racial impersonation musically and contextually by " donning the prescribed dress and singing the prescribed song . " 56 ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York