Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 5
... stage representations were at first transformed into copies of sheet music rendered with an artistic representation of blackness on nearly every copy.3 Later , the advent of the broadcasting and recording industries helped to launch a ...
... stage representations were at first transformed into copies of sheet music rendered with an artistic representation of blackness on nearly every copy.3 Later , the advent of the broadcasting and recording industries helped to launch a ...
Pagina 7
... stage as well . Though marginalized by class and social standing , blackface performers sought to claim a space for themselves by mocking blackness , being neither black nor slave . Cockrell delineates the uses of the blackface both on ...
... stage as well . Though marginalized by class and social standing , blackface performers sought to claim a space for themselves by mocking blackness , being neither black nor slave . Cockrell delineates the uses of the blackface both on ...
Pagina 36
... stage , a fact that seemed to underwhelm Gershwin . He wrote the novel's author , saying , It is very interesting that Jolson would like to play the part of Porgy , but I really don't know how he would be in it . It might mean more to ...
... stage , a fact that seemed to underwhelm Gershwin . He wrote the novel's author , saying , It is very interesting that Jolson would like to play the part of Porgy , but I really don't know how he would be in it . It might mean more to ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York