Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 41
... suggested by Nathan Huggins , were yet another way that whites were able to recapture what they believed was an innocence lost through civilization . " Native peoples , always viewed as children by some , " he writes , " were seen to ...
... suggested by Nathan Huggins , were yet another way that whites were able to recapture what they believed was an innocence lost through civilization . " Native peoples , always viewed as children by some , " he writes , " were seen to ...
Pagina 62
... suggest an ironic malleability between racial distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of ...
... suggest an ironic malleability between racial distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of ...
Pagina 69
... suggests that the cultures we study be " represent [ ed ] " 45 rather than simply represented to an audience made up ... suggest that our outward search for the Other ultimately ends where it begins , in the search for Self . While this ...
... suggests that the cultures we study be " represent [ ed ] " 45 rather than simply represented to an audience made up ... suggest that our outward search for the Other ultimately ends where it begins , in the search for Self . While this ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York