Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 16
... talking pictures and phonographs . What had in the past been an embodiment of racial passing became an even more distanced representation of blackness articulated in sound . These distanced representations of blackness might be ...
... talking pictures and phonographs . What had in the past been an embodiment of racial passing became an even more distanced representation of blackness articulated in sound . These distanced representations of blackness might be ...
Pagina 58
... talking film " ever created , featured Al Jolson in blackface sentimentally crying for his ' Mammy ' while on bended knee.19 After viewing its New York premiere , Disney excitedly worked to incorporate music and speaking into his own ...
... talking film " ever created , featured Al Jolson in blackface sentimentally crying for his ' Mammy ' while on bended knee.19 After viewing its New York premiere , Disney excitedly worked to incorporate music and speaking into his own ...
Pagina 59
... talking film entitled Gang War , it was upstaged by the seven minute cartoon immediately following the feature film.21 Steamboat opened in New York on November 18 , 1928 to sell - out crowds , making Mickey Mouse the first " all talking ...
... talking film entitled Gang War , it was upstaged by the seven minute cartoon immediately following the feature film.21 Steamboat opened in New York on November 18 , 1928 to sell - out crowds , making Mickey Mouse the first " all talking ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York