Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 40
... tell us a great deal about a part of our American psyche , its history and ideology . In other words , this celebration of the primitive is not ostensible solely to Gershwin's experience , but rather it reflects a basic premise of a new ...
... tell us a great deal about a part of our American psyche , its history and ideology . In other words , this celebration of the primitive is not ostensible solely to Gershwin's experience , but rather it reflects a basic premise of a new ...
Pagina 49
... tell us more about ourselves . Equally important is the scope of Mickey's global 1 Robert Heide and John Gilman , Cartoon Collectibles 50 Years of Dime - Store Memorabilia ( New York : Doubleday , 1983 ) . 2 John Updike , " The Mystery ...
... tell us more about ourselves . Equally important is the scope of Mickey's global 1 Robert Heide and John Gilman , Cartoon Collectibles 50 Years of Dime - Store Memorabilia ( New York : Doubleday , 1983 ) . 2 John Updike , " The Mystery ...
Pagina 75
... tell , and it is our obligation as musicologists and historians to find and flesh them out . By expanding our ways of seeing and ergo , knowing — that is , by theorizing the music - we open up the possibilities for a deeper awareness of ...
... tell , and it is our obligation as musicologists and historians to find and flesh them out . By expanding our ways of seeing and ergo , knowing — that is , by theorizing the music - we open up the possibilities for a deeper awareness of ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York