Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 30
... thought , from one of " Old Negro " dependence on the land and vocational skills , to self- reliant " New Negro " intellectualism and self - pride . For the first time since the brief Reconstruction Era of the 1870s , one might argue ...
... thought , from one of " Old Negro " dependence on the land and vocational skills , to self- reliant " New Negro " intellectualism and self - pride . For the first time since the brief Reconstruction Era of the 1870s , one might argue ...
Pagina 73
... thought , I latched on to the discourse of passing as an informative window of interpretation within the thesis . What follows is a brief summation of the thesis's main points : The discourse of passing , a primarily late nineteenth ...
... thought , I latched on to the discourse of passing as an informative window of interpretation within the thesis . What follows is a brief summation of the thesis's main points : The discourse of passing , a primarily late nineteenth ...
Pagina 74
... thought to civilize the deviant , jazzy , " black " music by capturing it , impersonating it , and ultimately , conquering it . Gershwin and Mickey seem to embody the type of ambiguity , musicality , and status in American culture that ...
... thought to civilize the deviant , jazzy , " black " music by capturing it , impersonating it , and ultimately , conquering it . Gershwin and Mickey seem to embody the type of ambiguity , musicality , and status in American culture that ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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