Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 4
... tradition is alive and well hidden behind a modern mask . I believe that " blacking up " should be done correctly ; as an exploration for the source of that hollow ring we mistakenly believe was conceived in Las Vegas , and in a context ...
... tradition is alive and well hidden behind a modern mask . I believe that " blacking up " should be done correctly ; as an exploration for the source of that hollow ring we mistakenly believe was conceived in Las Vegas , and in a context ...
Pagina 8
... tradition . Like Roediger he locates the tension of minstrelsy among the working - class , especially within the rituals of charivari , or in exhibitions of rough music enacted by " men who render the night hideous by their yelling ...
... tradition . Like Roediger he locates the tension of minstrelsy among the working - class , especially within the rituals of charivari , or in exhibitions of rough music enacted by " men who render the night hideous by their yelling ...
Pagina 28
... tradition of the blackface was absorbed fully into more modern theatrical traditions of vaudeville , Tin Pan Alley , and the Hollywood film industry . Signifying more than a mere lampoon aimed at a subjugated element of American society ...
... tradition of the blackface was absorbed fully into more modern theatrical traditions of vaudeville , Tin Pan Alley , and the Hollywood film industry . Signifying more than a mere lampoon aimed at a subjugated element of American society ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York