Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 15
... transformation . Though minstrelsy was still extant , the power of the blackface had been co - opted by performance genres that were perceptively informed by the minstrel tradition . Minstrelsy's impact now pervaded vaudeville , Tin Pan ...
... transformation . Though minstrelsy was still extant , the power of the blackface had been co - opted by performance genres that were perceptively informed by the minstrel tradition . Minstrelsy's impact now pervaded vaudeville , Tin Pan ...
Pagina 42
... transformation , like the one detailed above . Gershwin's gestural passing , inherently musical and figurative , is executed most obviously with African - American inflections of blue notes and blues - like dissonances of his folk opera ...
... transformation , like the one detailed above . Gershwin's gestural passing , inherently musical and figurative , is executed most obviously with African - American inflections of blue notes and blues - like dissonances of his folk opera ...
Pagina 56
... transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel tradition . Minstrelsy's impact now pervaded vaudeville , Tiņ Pan Alley ...
... transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel tradition . Minstrelsy's impact now pervaded vaudeville , Tiņ Pan Alley ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York