Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 55
... turn , became a defining element of black manhood for nineteenth - century white northern audiences . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and read them ...
... turn , became a defining element of black manhood for nineteenth - century white northern audiences . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and read them ...
Pagina 56
... turn of the century blackface minstrelsy had undergone a considerable transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel ...
... turn of the century blackface minstrelsy had undergone a considerable transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel ...
Pagina 68
... turn its lens outward onto the Other for purposes of self - discovery , turning the lens inward might prove even more profitable . For what better way is there to know ourselves than to study ourselves ? In " Representation and Cultural ...
... turn its lens outward onto the Other for purposes of self - discovery , turning the lens inward might prove even more profitable . For what better way is there to know ourselves than to study ourselves ? In " Representation and Cultural ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York