Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 55
... turn , became a defining element of black manhood for nineteenth - century white northern audiences . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and read them ...
... turn , became a defining element of black manhood for nineteenth - century white northern audiences . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and read them ...
Pagina 56
... turn of the century blackface minstrelsy had undergone a considerable transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel ...
... turn of the century blackface minstrelsy had undergone a considerable transformation . Though it was still very alive , the power of the blackface had been co - opted by new genres that were perceptively informed by the minstrel ...
Pagina 68
... turn its lens outward onto the Other for purposes of self - discovery , turning the lens inward might prove even more profitable . For what better way is there to know ourselves than to study ourselves ? In " Representation and Cultural ...
... turn its lens outward onto the Other for purposes of self - discovery , turning the lens inward might prove even more profitable . For what better way is there to know ourselves than to study ourselves ? In " Representation and Cultural ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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