Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 36
... wanted to " capture the pride and spirit of the black man " as told by the opera's first Porgy , Todd Duncan.30 Obviously , this could not be done successfully if the actors involved were masked behind the burnt cork and hackneyed ...
... wanted to " capture the pride and spirit of the black man " as told by the opera's first Porgy , Todd Duncan.30 Obviously , this could not be done successfully if the actors involved were masked behind the burnt cork and hackneyed ...
Pagina 47
... wanted to bring respectability to the music he loved so much — and the only way for him to do it was to put on his white face in front of ( or behind , in the case of Porgy and Bess ) his figurative black one . " George , you've done it ...
... wanted to bring respectability to the music he loved so much — and the only way for him to do it was to put on his white face in front of ( or behind , in the case of Porgy and Bess ) his figurative black one . " George , you've done it ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York