The Spectator, Volume 1 |
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Pagina 90
... , in the character of Camilla ; who though she feems to have fhaken off all the other weaknesses of her sex , is still described as a woman in this parti- 6 cular . The poet tells us , that after 90 THE SPECTATOR . N ° 15 .
... , in the character of Camilla ; who though she feems to have fhaken off all the other weaknesses of her sex , is still described as a woman in this parti- 6 cular . The poet tells us , that after 90 THE SPECTATOR . N ° 15 .
Pagina 107
... has been in any circumstance of glory and i By Addison , dated , it feems , from Chelsea . See final note to N ° 7 . triumph . At such a time the mind of the N ° 19 . 107 THE SPECTATOR . may be of use to a good architect. I ...
... has been in any circumstance of glory and i By Addison , dated , it feems , from Chelsea . See final note to N ° 7 . triumph . At such a time the mind of the N ° 19 . 107 THE SPECTATOR . may be of use to a good architect. I ...
Pagina 261
... feems ; while others , really such , are deemed no relations . If at any time I have her company alone , she is a mere fermon pop- gun , repeating and discharging texts , proofs , and applications so perpetually , that however weary I ...
... feems ; while others , really such , are deemed no relations . If at any time I have her company alone , she is a mere fermon pop- gun , repeating and discharging texts , proofs , and applications so perpetually , that however weary I ...
Pagina 284
... feems , are born with a fecret antipathy to one another , and engage when they meet as naturally as the elephant and the rhinoceros1 . But as we faw none of either of these species , we are apt to think that our guides deceived us with ...
... feems , are born with a fecret antipathy to one another , and engage when they meet as naturally as the elephant and the rhinoceros1 . But as we faw none of either of these species , we are apt to think that our guides deceived us with ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
ADDISON admiration alſo appear aſſembly audience beauty becauſe beſt buſineſs character Chelſea club converſation correſpondents defire deſcribed deſign diſcourſe diſcovered diverſion dreſs dreſſed Engliſh expoſed expreſſed faid falſe fame faſhion fatire fignature final note firſt flain fome foon fuch gentleman give houſe humble ſervant humour inſtances itſelf juſt lady laſt leſs letter look maſter mind miſtreſs moſt muſic muſt myſelf nature obſerved occafion opera ourſelves paffion paper paſs paſſage paſſed paſſion perſon Pict pleaſed pleaſure poet praiſe preſent publiſhed raiſed reader reaſon repreſented reſpect ſaid ſame ſays ſcenes ſecond ſee ſeems ſeen ſenſe ſet ſeveral ſex ſhall ſhe ſhew ſhort ſhould Sir ROGER ſociety ſome ſometimes ſpeak Spect SPECTATOR ſpeech ſpirit ſtage ſtand ſtate Steele ſtill ſtory ſtyle ſubject ſuch ſuppoſed ſurpriſe taſte Tatler themſelves theſe thing thoſe thought tion underſtanding univerſity uſe uſual verſe whoſe writing