The Passing Figure: Racial Confusion in Modern American Literature"How and when does literature most effectively uncover race to be a metaphor? The passing figure, a light-skinned African-American capable and willing to pass for white, provides the thematic focus to this provocative study. In exploring the social and cultural history of this distinctly American phenomenon, Bennett moves freely between literature, film, and music, arguing that the passing figure is crucial to our understanding of past and present conceptions of race."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 43
Black can become white and white can become black when cast in a different
light or through a change of atmosphere . We can see this in the epigraph that
Craft chooses to introduce Running A Thousand Miles For Freedom : Slaves
cannot ...
Black can become white and white can become black when cast in a different
light or through a change of atmosphere . We can see this in the epigraph that
Craft chooses to introduce Running A Thousand Miles For Freedom : Slaves
cannot ...
Pagina 53
She does not pretend to be white for Clare ' s husband but instead puts on
another mask : . . . her face had become a ... But Irene is courting disaster at this
point in the narrative , and the familiar story of the tragic mulatto / passer
becomes ...
She does not pretend to be white for Clare ' s husband but instead puts on
another mask : . . . her face had become a ... But Irene is courting disaster at this
point in the narrative , and the familiar story of the tragic mulatto / passer
becomes ...
Pagina 80
African - American was becoming more of a subject , complexly motivated and
complexly affected by the Great ... religion , and ethnicity , “ race ” had become so
theorized that the literary imagination could now construct its narratives from the ...
African - American was becoming more of a subject , complexly motivated and
complexly affected by the Great ... religion , and ethnicity , “ race ” had become so
theorized that the literary imagination could now construct its narratives from the ...
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Inhoudsopgave
An Introduction to Passing | 1 |
Nomenclature Metaphor and Narrative | 11 |
Theme to Genre | 35 |
Copyright | |
3 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
The Passing Figure: Racial Confusion in Modern American Literature Juda Bennett Geen voorbeeld beschikbaar - 1998 |
Veelvoorkomende woorden en zinsdelen
African-American allow American argues associated attention authors become beginning black and white body Bois Brown Butterfly called century chapter characters color concerned construction continue contrast Craft created culture dark defined definition despite earlier early escape event examine explore familiar Faulkner fiction gender genre Harlem idea identity importance interest introduced Irene jazz Joe Christmas Julie larger Larson's less Light in August literature live look meaning metaphor minstrelsy movie mulatto narrator Negro never nigger nomenclature novel offers particularly passing figure passing narratives past performance perhaps person play plot present problem provides question race racial racist reader recent refer replaces representations representative requires satire scene seems seen sexuality Show Boat significant simply singing slave songs specifically story struggle success suggest symbol tell theme thought tradition writing written
Bibliografische gegevens
| Titel | The Passing Figure: Racial Confusion in Modern American Literature Volume 6 van Mercer University Lamar Memorial Lectures Volume 6 van Modern American literature, ISSN 1078-0521 |
| Auteur | Juda Bennett |
| Uitgever | Peter Lang, 1996 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 29 feb 2008 |
| ISBN | 0820431141, 9780820431147 |
| Lengte | 142 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |