The Passing Figure: Racial Confusion in Modern American Literature"How and when does literature most effectively uncover race to be a metaphor? The passing figure, a light-skinned African-American capable and willing to pass for white, provides the thematic focus to this provocative study. In exploring the social and cultural history of this distinctly American phenomenon, Bennett moves freely between literature, film, and music, arguing that the passing figure is crucial to our understanding of past and present conceptions of race."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 16
Johnson ' s phrase ' ex - coloured ' is simply another form of ' colored ” ( 202
Figures ) . For an African - American tradition , which is so based on
autobiography , this erasure is significant . Replacing the proper name , which for
ex - slaves like ...
Johnson ' s phrase ' ex - coloured ' is simply another form of ' colored ” ( 202
Figures ) . For an African - American tradition , which is so based on
autobiography , this erasure is significant . Replacing the proper name , which for
ex - slaves like ...
Pagina 17
meaning ; and though some theorists , Edward Shils for example , have at times
looked to color as a substantive factor in ... No doubt his promotion of
unambivalent terms ( “ Negro ” and “ black ” over “ mulatto ” and “ colored ” )
shows him ...
meaning ; and though some theorists , Edward Shils for example , have at times
looked to color as a substantive factor in ... No doubt his promotion of
unambivalent terms ( “ Negro ” and “ black ” over “ mulatto ” and “ colored ” )
shows him ...
Pagina 19
He sees a very different Europe than the privileged protagonist of Autobiography
of an Ex - Colored Man . ... He feels his blackness despite brief crossings of the
color line : . . . for Jake this woman was ( not ) only a creature of another race - of
...
He sees a very different Europe than the privileged protagonist of Autobiography
of an Ex - Colored Man . ... He feels his blackness despite brief crossings of the
color line : . . . for Jake this woman was ( not ) only a creature of another race - of
...
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Inhoudsopgave
An Introduction to Passing | 1 |
Nomenclature Metaphor and Narrative | 11 |
Theme to Genre | 35 |
Copyright | |
3 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
The Passing Figure: Racial Confusion in Modern American Literature Juda Bennett Geen voorbeeld beschikbaar - 1998 |
Veelvoorkomende woorden en zinsdelen
African-American allow American argues associated attention authors become beginning black and white body Bois Brown Butterfly called century chapter characters color concerned construction continue contrast Craft created culture dark defined definition despite earlier early escape event examine explore familiar Faulkner fiction gender genre Harlem idea identity importance interest introduced Irene jazz Joe Christmas Julie larger Larson's less Light in August literature live look meaning metaphor minstrelsy movie mulatto narrator Negro never nigger nomenclature novel offers particularly passing figure passing narratives past performance perhaps person play plot present problem provides question race racial racist reader recent refer replaces representations representative requires satire scene seems seen sexuality Show Boat significant simply singing slave songs specifically story struggle success suggest symbol tell theme thought tradition writing written
Bibliografische gegevens
| Titel | The Passing Figure: Racial Confusion in Modern American Literature Volume 6 van Mercer University Lamar Memorial Lectures Volume 6 van Modern American literature, ISSN 1078-0521 |
| Auteur | Juda Bennett |
| Uitgever | Peter Lang, 1996 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 29 feb 2008 |
| ISBN | 0820431141, 9780820431147 |
| Lengte | 142 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |