The Passing Figure: Racial Confusion in Modern American LiteraturePeter Lang, 1996 - 142 pagina's How and when does literature most effectively uncover race to be a mataphor? The passing figure, a light-skinned African-American capable and willing to pass for white, provides the thematic focus to this provocative study. In exploring the social and cultural history of this distinctly American phenomenon, Bennett moves freely between literature, film, and music, arguing that the passing figure is crucial to our understanding of past and present conceptions of race. |
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Pagina 7
... importance , primarily for African - American authors . To locate this moment requires that we are able to recognize ... importance of the minstrelsy and other forms of racial mimicry as a form or rather as a deformation of passing ...
... importance , primarily for African - American authors . To locate this moment requires that we are able to recognize ... importance of the minstrelsy and other forms of racial mimicry as a form or rather as a deformation of passing ...
Pagina 29
... importance of language in the construction and subsequent deconstruction of " race . " Throughout the novel , Joe Christmas is defined as " the stranger , " " nigger , " and " Negro . " Byron Bunch , providing reflections we might often ...
... importance of language in the construction and subsequent deconstruction of " race . " Throughout the novel , Joe Christmas is defined as " the stranger , " " nigger , " and " Negro . " Byron Bunch , providing reflections we might often ...
Pagina 65
... importance as a national art . From its very beginnings , the minstrelsy assumed national importance . In 1845 J. Kinnard , in a satire for Knickerbocker Magazine , presented the case clearly . The poems of Bryant and Longfellow ...
... importance as a national art . From its very beginnings , the minstrelsy assumed national importance . In 1845 J. Kinnard , in a satire for Knickerbocker Magazine , presented the case clearly . The poems of Bryant and Longfellow ...
Inhoudsopgave
An Introduction to Passing | 1 |
Theme to Genre | 35 |
How White People Pass | 61 |
Copyright | |
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The Passing Figure: Racial Confusion in Modern American Literature Juda Bennett Geen voorbeeld beschikbaar - 1998 |
Veelvoorkomende woorden en zinsdelen
African-American American argues associated attention authors become beginning black and white body Bois Brown Butterfly called century chapter characters color concerned construction continue Craft created critics culture dark defined definition despite earlier early escape event examine explore familiar Faulkner fiction gender genre Harlem idea identity importance interest introduced Irene jazz Joe Christmas Julie larger Larson's less Light in August literature live look meaning metaphor minstrelsy movie mulatto narrator Negro never nigger nomenclature novel offers passing figure passing narratives past performance perhaps person play plot present problem provides question race racial racist reader recent refer Renaissance replaces representations representative requires satire scene seems sexuality Show Boat significant simply singing slave songs specifically story struggle success suggest tell theme thought tradition University Press writing written York