The Passing Figure: Racial Confusion in Modern American LiteraturePeter Lang, 1996 - 142 pagina's How and when does literature most effectively uncover race to be a mataphor? The passing figure, a light-skinned African-American capable and willing to pass for white, provides the thematic focus to this provocative study. In exploring the social and cultural history of this distinctly American phenomenon, Bennett moves freely between literature, film, and music, arguing that the passing figure is crucial to our understanding of past and present conceptions of race. |
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Pagina 17
... looked to color as a substantive factor in creating " racialism , " the following reading draws strength from theorists like Audrey Smedley who see color not as foundational but already implicated in systems of belief . Much of Du ...
... looked to color as a substantive factor in creating " racialism , " the following reading draws strength from theorists like Audrey Smedley who see color not as foundational but already implicated in systems of belief . Much of Du ...
Pagina 101
... looked up , and saw the stranger standing there , watching them . ( 27 ) In these first lines of the second chapter , the community and its collective gaze clearly define the particulars of the narrative . Community throughout this ...
... looked up , and saw the stranger standing there , watching them . ( 27 ) In these first lines of the second chapter , the community and its collective gaze clearly define the particulars of the narrative . Community throughout this ...
Inhoudsopgave
An Introduction to Passing | 1 |
Theme to Genre | 35 |
How White People Pass | 61 |
Copyright | |
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The Passing Figure: Racial Confusion in Modern American Literature Juda Bennett Geen voorbeeld beschikbaar - 1998 |
Veelvoorkomende woorden en zinsdelen
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