Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 9
... Derain . Leaving behind them the forest and the desert , which they do not even remember with nostalgia , they have entered the tiny arena of gratitude towards those who have broken them in and throw them their food . What surer ...
... Derain . Leaving behind them the forest and the desert , which they do not even remember with nostalgia , they have entered the tiny arena of gratitude towards those who have broken them in and throw them their food . What surer ...
Pagina 22
... Derain - and it would be difficult to estimate the relative proportions of inno- cence and cynicism in his remarks - the essential thing was to adopt an attitude by which one would not be duped oneself but which would inevitably dupe ...
... Derain - and it would be difficult to estimate the relative proportions of inno- cence and cynicism in his remarks - the essential thing was to adopt an attitude by which one would not be duped oneself but which would inevitably dupe ...
Pagina 23
... Derain himself that it would have been a falsehood for him to paint a woman ' without tits and bottom ' . Luckily for all of us , Max Ernst's chief concern at the time , in terms of honesty , was with the solution of an entirely ...
... Derain himself that it would have been a falsehood for him to paint a woman ' without tits and bottom ' . Luckily for all of us , Max Ernst's chief concern at the time , in terms of honesty , was with the solution of an entirely ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy