Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 138
... century mathema- tician Boscovich and the early - nineteenth - century physicists to be outmoded , and had substituted for it an already extraordinarily complex mechanism derived from an elastic solid ether which was itself developed ...
... century mathema- tician Boscovich and the early - nineteenth - century physicists to be outmoded , and had substituted for it an already extraordinarily complex mechanism derived from an elastic solid ether which was itself developed ...
Pagina 169
... century onwards , and the more concrete and insistent flattery of the painters of the twentieth century could not fail , eventually , to seduce the soul of Africa the Africa that Baudelaire called ' superb ' - into responding . It is ...
... century onwards , and the more concrete and insistent flattery of the painters of the twentieth century could not fail , eventually , to seduce the soul of Africa the Africa that Baudelaire called ' superb ' - into responding . It is ...
Pagina 349
... Century ' at the Musée d'Art Moderne . Paris has never previously witnessed an enterprise of such wide scope and such manifold necessity . It is a well - known fact that at the beginning of this century the negligence and incompetence ...
... Century ' at the Musée d'Art Moderne . Paris has never previously witnessed an enterprise of such wide scope and such manifold necessity . It is a well - known fact that at the beginning of this century the negligence and incompetence ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy