Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 28
... are in a wall And his face is their heavy adornment . One more falsehood uttered by the day , One more night , there are no more blind men . ( Paul Eluard : ' Max Ernst ' . ) to examine the substance of objects , with complete freedom. 28.
... are in a wall And his face is their heavy adornment . One more falsehood uttered by the day , One more night , there are no more blind men . ( Paul Eluard : ' Max Ernst ' . ) to examine the substance of objects , with complete freedom. 28.
Pagina 251
... complete uselessness . To claim that the comparative study of these fabrics may present some histological interest is , of course , sheer imposture , for the excellent reason that the executant let us not say artist has lost contact ...
... complete uselessness . To claim that the comparative study of these fabrics may present some histological interest is , of course , sheer imposture , for the excellent reason that the executant let us not say artist has lost contact ...
Pagina 269
... complete break with these limitations and time - wasting formulas . In his own words : ' My pictures are images . No image can be described validly unless one's thoughts are directed towards its liberation . ' Those who speak ...
... complete break with these limitations and time - wasting formulas . In his own words : ' My pictures are images . No image can be described validly unless one's thoughts are directed towards its liberation . ' Those who speak ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy