Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina
... considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors ...
... considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors ...
Pagina 109
... considered them , between himself and the world , as any- thing other than moments of intercession . Brushing aside every- thing which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek ...
... considered them , between himself and the world , as any- thing other than moments of intercession . Brushing aside every- thing which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek ...
Pagina 314
... considered the art of the insane essentially in terms of their ' clinical ' value . In his book , L'Art chez les fous , published in 1905 , Marcel Réja had already opposed himself to the idea that their ' morbid ' quality should require ...
... considered the art of the insane essentially in terms of their ' clinical ' value . In his book , L'Art chez les fous , published in 1905 , Marcel Réja had already opposed himself to the idea that their ' morbid ' quality should require ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy