Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 72
... direction . Alone in adopting this particular method , Magritte approached painting as though it constituted a series of ' object - lessons ' , and from this point of departure he has proceeded to put the visual image systematically on ...
... direction . Alone in adopting this particular method , Magritte approached painting as though it constituted a series of ' object - lessons ' , and from this point of departure he has proceeded to put the visual image systematically on ...
Pagina 263
... direction where it might echo most resoundingly and most enduringly , thus joining the loud chorus of the most ... directions from the constellations without any prior training . Indeed , a great part of the winged world appears to ...
... direction where it might echo most resoundingly and most enduringly , thus joining the loud chorus of the most ... directions from the constellations without any prior training . Indeed , a great part of the winged world appears to ...
Pagina 346
... direction of magnetism ( the investigation of her technical resources would establish that she has at her exclusive disposal an emulsion which constitutes the ideal field for the manifestation of strictly organic attractions ...
... direction of magnetism ( the investigation of her technical resources would establish that she has at her exclusive disposal an emulsion which constitutes the ideal field for the manifestation of strictly organic attractions ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy