Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 14
... hand , whose contours , flexible and firm resistance , and delicate , warm skin correspond faithfully to the illusion of sight . Then , with outstretched hand he clasps this other smaller hand , feels it in his own , caresses these ...
... hand , whose contours , flexible and firm resistance , and delicate , warm skin correspond faithfully to the illusion of sight . Then , with outstretched hand he clasps this other smaller hand , feels it in his own , caresses these ...
Pagina 51
... hand . " This reply astounded us , and while we were exchanging glances of admiration he continued : " Here is further proof of what I say . When I place my hand between your eyes and an object , my hand is present to you but the object ...
... hand . " This reply astounded us , and while we were exchanging glances of admiration he continued : " Here is further proof of what I say . When I place my hand between your eyes and an object , my hand is present to you but the object ...
Pagina 91
... hand side is occupied by the three standard stoppages and the left - hand bottom corner by their ' traced projections ' , with two readymades between them , enamelled hand and bottle - brush , and the cast shadows of three other ...
... hand side is occupied by the three standard stoppages and the left - hand bottom corner by their ' traced projections ' , with two readymades between them , enamelled hand and bottle - brush , and the cast shadows of three other ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy