Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 76
... imagination can never be harnessed , and they resist all attempts to reduce them to mere advertising slogans . Whoever yields himself wholeheartedly to these powers very soon takes pride in things other than the little vanities of ...
... imagination can never be harnessed , and they resist all attempts to reduce them to mere advertising slogans . Whoever yields himself wholeheartedly to these powers very soon takes pride in things other than the little vanities of ...
Pagina 154
... imagination has offered them a more sympathetically attuned field of reaction . Yet his imagination is also absolved from these questions by virtue of the irresistible call of life which he is always striving to answer by tracing life ...
... imagination has offered them a more sympathetically attuned field of reaction . Yet his imagination is also absolved from these questions by virtue of the irresistible call of life which he is always striving to answer by tracing life ...
Pagina 401
... imagination is expansive and allegorical . You cannot " think " an object for more than an instant without the mind's shifting ... Not an overcoat , not a bottle dryer , not a Coca - Cola bottle can resist the 1. Cf. W. Bernhard , The ...
... imagination is expansive and allegorical . You cannot " think " an object for more than an instant without the mind's shifting ... Not an overcoat , not a bottle dryer , not a Coca - Cola bottle can resist the 1. Cf. W. Bernhard , The ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy