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Pagina 66
Joan Miro: Landscape. 1927. had, so to speak, emancipated themselves from it
in such a way that they were now able to maintain entirely new relationships with
other elements, escaping from the principle of reality but retaining all their ...
Joan Miro: Landscape. 1927. had, so to speak, emancipated themselves from it
in such a way that they were now able to maintain entirely new relationships with
other elements, escaping from the principle of reality but retaining all their ...
Pagina 85
... fact agree that the whole sum of these putative researches has been a piece of
flotsam for the tidal wave which very soon swept it away in the same flood that
swallowed up the entire artistic and moral landscape as far as the eye could see.
... fact agree that the whole sum of these putative researches has been a piece of
flotsam for the tidal wave which very soon swept it away in the same flood that
swallowed up the entire artistic and moral landscape as far as the eye could see.
Pagina 253
As for the origin of the 'track' that cuts its way through the landscape, it is up to
everyone to shift for himself, aided by a dark-lantern or a hurricane-lamp so as
not to stumble in this beautiful luciferian mist. Empty landscapes: the product (as
...
As for the origin of the 'track' that cuts its way through the landscape, it is up to
everyone to shift for himself, aided by a dark-lantern or a hurricane-lamp so as
not to stumble in this beautiful luciferian mist. Empty landscapes: the product (as
...
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Inhoudsopgave
II | 28 |
White rose bunch 1934 | 121 |
THE MOST RECENT TENDENCIES IN SURREALIST PAINTING 1939 | 145 |
Copyright | |
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absolutely achieved animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Breton Bride Stripped colour Composition considered cubism desire drawing dream elements Enrico Baj entirely everything existence expression external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins Giorgio de Chirico hand Henri Rousseau human idea imagination inspiration Jean Arp Joan Miro landscape Large Glass less light Magritte Marcel Duchamp Masson Matta Max Ernst means mind Mir6 mysterious nature never night object Pablo Picasso painters painting Paris particular perfectly Photo Brassai Photo Segalat Photo Vaux picture Pierre plastic possible present pure reality remains Rene Magritte revealed Rimbaud Salvador Dali sculpture secret seems sense shadow spirit surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy