Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 28
... objects are distributed if there had been no prospect eventually of interrogating anything apart from these objects ' shadows , and if painting were not in fact partially the act of striking the picture , like a coin , with the effigy ...
... objects are distributed if there had been no prospect eventually of interrogating anything apart from these objects ' shadows , and if painting were not in fact partially the act of striking the picture , like a coin , with the effigy ...
Pagina 63
... object was retained only as a function of its symbolic , enigmatic mean ( period of arcades and towers ) which in turn ... objects themselves became compounded with instruments of measurement , retaining no obvious relationship to human ...
... object was retained only as a function of its symbolic , enigmatic mean ( period of arcades and towers ) which in turn ... objects themselves became compounded with instruments of measurement , retaining no obvious relationship to human ...
Pagina 277
... objects ' and poetic ' objects ' commend themselves to those who created them for entirely other reasons than their plastic qualities , and even if they should happen to satisfy certain aesthetic standards it would still be wrong to try ...
... objects ' and poetic ' objects ' commend themselves to those who created them for entirely other reasons than their plastic qualities , and even if they should happen to satisfy certain aesthetic standards it would still be wrong to try ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy