Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 19
... painters , and in so doing vouching without reserve for a particular artist when I have lost all confidence in another , a process that inevitably involves a slight element of the arbitrary . It goes without saying that I listen only to ...
... painters , and in so doing vouching without reserve for a particular artist when I have lost all confidence in another , a process that inevitably involves a slight element of the arbitrary . It goes without saying that I listen only to ...
Pagina 337
... painters who might , we wish devoutly , once again become navigators.'1 It is reasonable to assume that such an injunction was doomed to be given a chilly reception by the great majority and even that many people , startled out of their ...
... painters who might , we wish devoutly , once again become navigators.'1 It is reasonable to assume that such an injunction was doomed to be given a chilly reception by the great majority and even that many people , startled out of their ...
Pagina 345
... painters . Whose hands choose the multicoloured elixirs For a harmonious blend according to variable proportions And from it call forth the image and the reflection of all things ... 1 1 Thus he summons them to retain the power of re ...
... painters . Whose hands choose the multicoloured elixirs For a harmonious blend according to variable proportions And from it call forth the image and the reflection of all things ... 1 1 Thus he summons them to retain the power of re ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy