Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 72
... play all the resources of a mind exacting enough to envisage each picture as the scene in which a new problem is to be resolved . Sculpture , during the course of these last thirty years , while the object was gradually achieving its ...
... play all the resources of a mind exacting enough to envisage each picture as the scene in which a new problem is to be resolved . Sculpture , during the course of these last thirty years , while the object was gradually achieving its ...
Pagina 320
... play the propitiatory powers of sacrifice and dance . As I have already been able to observe in Haiti , one particular rhythm has the power at certain hours of enticing human beings into the thick foliage and making them participate in ...
... play the propitiatory powers of sacrifice and dance . As I have already been able to observe in Haiti , one particular rhythm has the power at certain hours of enticing human beings into the thick foliage and making them participate in ...
Pagina 343
... play . If there may once have been a certain element of grandeur in the idea of transplanting pictures from the studio to a field of corn to reassure the artist that they ' held ' , one should ask oneself - it might be the first clue in ...
... play . If there may once have been a certain element of grandeur in the idea of transplanting pictures from the studio to a field of corn to reassure the artist that they ' held ' , one should ask oneself - it might be the first clue in ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy