Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 147
... secret , a secret which is as well guarded as was that of the early Chiricos for so many years . Just as it has needed the whole intellectual evolution of these last twenty years for us to fathom the intentions , hidden no doubt from ...
... secret , a secret which is as well guarded as was that of the early Chiricos for so many years . Just as it has needed the whole intellectual evolution of these last twenty years for us to fathom the intentions , hidden no doubt from ...
Pagina 309
... secret . I cannot emphasize too forcefully my conviction that this secret is all - important : a severe distinction should be made between the means of expression that a man is led to create for himself , however humble these may be in ...
... secret . I cannot emphasize too forcefully my conviction that this secret is all - important : a severe distinction should be made between the means of expression that a man is led to create for himself , however humble these may be in ...
Pagina 346
... secret from her , I think it would have to be sought in the direction of magnetism ( the investigation of her technical resources would establish that she has at her exclusive disposal an emulsion which constitutes the ideal field for ...
... secret from her , I think it would have to be sought in the direction of magnetism ( the investigation of her technical resources would establish that she has at her exclusive disposal an emulsion which constitutes the ideal field for ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy