Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 123
... sense of terror which overcame us as small children when we first heard it , describes better than any other the affective limits of the work accomplished by Victor Brauner just before the war . The word limits is , of course , used ...
... sense of terror which overcame us as small children when we first heard it , describes better than any other the affective limits of the work accomplished by Victor Brauner just before the war . The word limits is , of course , used ...
Pagina 193
... sense , whereas with Matta , for example , and with surrealist painting in general , it is clear that in expressing the world various other senses - from the kinesthetic sense to the more or less vanished sense of divination - come into ...
... sense , whereas with Matta , for example , and with surrealist painting in general , it is clear that in expressing the world various other senses - from the kinesthetic sense to the more or less vanished sense of divination - come into ...
Pagina 403
... senses and the ' absolute reality ' sought by the mind's imagination . These two alternating movements , designed to ... sense common to the greatest poets ' . 16 February 1964 . CAMACHO FACES THE JUNGLE A particular structure of amoeba -
... senses and the ' absolute reality ' sought by the mind's imagination . These two alternating movements , designed to ... sense common to the greatest poets ' . 16 February 1964 . CAMACHO FACES THE JUNGLE A particular structure of amoeba -
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy