Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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... surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors consider surrealism as a closed book and permit themselves to interpret it according to their hypotheses and ...
... surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors consider surrealism as a closed book and permit themselves to interpret it according to their hypotheses and ...
Pagina 64
... Surrealist Manifesto and several years after the publication of the first surrealist texts ( extracts from Les Champs Magnétiques had begun to appear in the review Littérature in 1919 ) , the question of whether painting could possibly ...
... Surrealist Manifesto and several years after the publication of the first surrealist texts ( extracts from Les Champs Magnétiques had begun to appear in the review Littérature in 1919 ) , the question of whether painting could possibly ...
Pagina 377
... surrealist auto- matism ) to be rather vain , surrealism proper owes it to itself to reassert its rights in a domain , specifically its own , which runs no risk of becoming fragmented between increasingly mod- est and ploiters and then ...
... surrealist auto- matism ) to be rather vain , surrealism proper owes it to itself to reassert its rights in a domain , specifically its own , which runs no risk of becoming fragmented between increasingly mod- est and ploiters and then ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy