Discontinuities: New Essays on Renaissance Literature and CriticismViviana Comensoli, Paul Stevens University of Toronto Press, 1998 - 244 pagina's Over the past two decades there has been a perceived paradigm shift in the study of English Renaissance literature. Scholarly attention has moved from the individual to the social as the agent of literary production and the principal site of discussion. Genius is now far less likely to be invoked than discourse, culture, or ideology. The intellectual shift, routinely associated with new historicism, feminism, and cultural materialism, has been neither uncontested nor simple and uniform. The essays in the present volume set out to identify, examine, and respond to these discontinuities, and in so doing attest to the extraordinary vitality of contemporary Renaissance studies. |
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Pagina 29
... produced by feminists of the new historicism , which were simultaneous with criticisms produced within feminism of the ahistorical female subject that is the organizing principle of works by Betty S. Travitsky , Susan Gilbert and Sandra ...
... produced by feminists of the new historicism , which were simultaneous with criticisms produced within feminism of the ahistorical female subject that is the organizing principle of works by Betty S. Travitsky , Susan Gilbert and Sandra ...
Pagina 32
... producing and being produced by history , however , Clifford can be seen to represent the necessarily paradoxical nature of modernity . In particular , Clifford exemplifies how radical our sense of individual discontinuity - between ...
... producing and being produced by history , however , Clifford can be seen to represent the necessarily paradoxical nature of modernity . In particular , Clifford exemplifies how radical our sense of individual discontinuity - between ...
Pagina 99
... produce the highest economic rewards and prestige.3 Just as the shift away from classical culture towards the vernacular has ... produced through the institutionalization in the university of mass culture . Their enormous exchange value ...
... produce the highest economic rewards and prestige.3 Just as the shift away from classical culture towards the vernacular has ... produced through the institutionalization in the university of mass culture . Their enormous exchange value ...
Inhoudsopgave
The Example of Anne | 27 |
Women Social History and English Renaissance | 52 |
Against a Synecdochic Shakespeare | 75 |
Copyright | |
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Discontinuities: New Essays on Renaissance Literature and Criticism Viviana Comensoli,Paul Stevens Fragmentweergave - 1998 |
Discontinuities: New Essays on Renaissance Literature and Criticism Viviana Comensoli,Paul Stevens Geen voorbeeld beschikbaar - 1998 |
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academic Alcibiades analysis Anne Clifford Arbella Stuart argues argument aristocratic audience autobiography canon Chicago Clifford Family concept construction contemporary critique cultural materialism death deconstruction desire diary difference discontinuity discourse Dollimore Donne Eastward Ho economic editions Elizabeth Elizabethan English Renaissance epistemology essay example fantasy female feminism feminist forms Foucault Freud gender genre Greenblatt Guillory historians historicism historicist Howard identification ideology Isabella Whitney Jacobean Jocelin Jonathan Lacan Lady Lady Anne Clifford language Lewalski literary critics male marriage Marxism Merchant metaphoric metonymic mother's legacy mothers narrative object past patriarchal play play's poem poetry poets political criticism position postmodern poststructuralism poststructuralist problematic produced psychoanalysis question Quicksilver radical reading reality relation relationship Renaissance drama Renaissance literature representation rhetorical Routledge scholars sexual Shakespeare social history society sonnet status suggests texts textual Textual Criticism theory Timon of Athens tradition Trans voice Waller woman women women's writing York and London
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Autobiography and Gender in Early Modern Literature: Reading Women's Lives ... Sharon Cadman Seelig Gedeeltelijke weergave - 2006 |