Philosophy of Painting by Shih-T'ao: A Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting)Walter de Gruyter, 2 jan 2012 - 147 pagina's No detailed description available for "Philosophy of Painting by Shih-T'ao". |
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| 13 | |
| 14 | |
| 15 | |
| 16 | |
II Concealment in Nondifferentation Mêng Yang | 19 |
III Harmonious Atmosphere Yin Yün | 20 |
IV Sublimity as Aesthetic Achievement Yüan Chen | 21 |
V Emptiness Versus Solidity Hsü Shih | 22 |
15 Sublimity and the Commonplace | 97 |
16 Purity through WuWei | 100 |
17 Origin of Heaven and Completion by Man | 103 |
18 Creativity and the Fulfillment of Nature | 106 |
The Uninterrupted Translation | 113 |
1 Oneness of Brush Strokes | 115 |
2 Liberation from Methods | 117 |
3 Transformation and Freedom | 118 |
VI Living Spirit Shêng Huo | 23 |
VII Liberation from Method Liao Fa | 24 |
A Biographical Sketch | 26 |
A Note on the Chinese Scripts | 30 |
A Discussion of Previous English Translations | 32 |
1 Oneness of Brush Strokes | 35 |
2 Liberation from Methods | 41 |
3 Transformation and Freedom | 45 |
4 The Value of Inborn Nature | 51 |
5 Unity of Brush Strokes and Ink Wash | 55 |
6 Motions of the Wrist | 60 |
7 Harmonious Atmosphere | 66 |
8 Reality of Mountains and Rivers | 71 |
9 Landscapes Expressed by Various Lines | 76 |
10 Threee Planes and Two Grounds | 81 |
11 Six Essentials | 84 |
12 Forests and Trees | 89 |
13 Oceans and Waves | 92 |
14 Expressions of the Four Seasons | 94 |
4 The Value of Inborn Nature | 119 |
5 Unity of Brush Strokes and Ink Wash | 120 |
6 Motions of the Wrist | 122 |
7 Harmonious Atmosphere | 124 |
8 Reality of Mountains and Rivers | 125 |
9 Landscapes Expressed by Various Lines | 127 |
10 Three Planes and Two Grounds | 129 |
11 Six Essentials | 130 |
12 Forests and Trees | 132 |
13 Oceans and Waves | 133 |
14 Expressions of the Four Seasons | 134 |
15 Sublimity and the Commonplace | 136 |
16 Purity through WuWei | 137 |
17 Origin of Heaven and Completion by Man | 138 |
18 Creativity and the Fulfillment of Nature | 140 |
Final Remarks | 144 |
Bibliography | 146 |
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achieved art of painting artist aspects brush and ink brush strokes Bullock's calligraphy and painting Ch'an ch'i chapter chih Chinese Painting Chuang Tzu clouds Confucius cutting away mundane danger and steepness embracing and encircling empty evasive concealment express Fifth Moon formless forms freedom function fundamental harmonious atmosphere heaven and earth Hisamatsu hsü Hua-p'u Hua-yü Lu I-Ching i-hua ink wash k'ai-ho knowledge landscape Lao Tzu limited Lin Yutang Mai-mai Sze means Mencius mêng method of no-method mind mountains and rivers mountains and seas moves the ink mundane taste myriad obstructions obtained one-stroke one's painter painting mountains peaks penetrate philosophy Principles of Chinese qualities rendering reveal rocks Rowley scenery seasons Seed Garden Manual shih Shih-t'ao Siren spiritual reality streams strokes and ink Tao Te Ching Taoist thousand things tion trans transform transmitted trees ts'un unity Wing-tsit Chan wrinkles wrist wu-wei yin and yang yin yün