A Guide to Practicing David Popper’S ‘Hohe Schule’ EtudesAuthorHouse, 31 aug 2018 - 386 pagina's There are few works in the cello repertoire as significant as the etudes by David Popper. They are practiced, studied, and learned by cellists all over the world as a sort of rite of passage to the advanced cello techniques. This has been the case since their publication, and there is no sign that this is going to change in the foreseeable future. Auditions for such things as youth orchestras, festivals, competitions, or university admissions frequently require the performance of one or more Popper etudes. Learning these etudes is a wonderful way to prepare yourself for the advanced cello repertoire. However, tackling them on your own can be a daunting task. Several authors have published their ideas and suggestions for practicing these etudes whether as articles, books, or videos. What makes this guide different is that it shows you step-by-step exactly how you can effectively practice all the difficult spots in each etude such that you will surely learn and master each one at a faster rate than you would without these suggestions and exercises. |
Inhoudsopgave
Appassionato in C minor | |
Death and the Maiden | |
Lohengrin study | |
Study in spiccato | |
Scherzando arpeggios | |
Cascades | |
Organ prelude | |
Improvisation in G Major | |
Study at the tip | |
Sicilienne | |
G Major prelude | |
Study in harmonics | |
Papillon | |
Lullaby duet | |
C Major capriccio | |
Scherzo in Gb Major | |
Study in staccato in C minor | |
C Major prelude | |
Incomplete neighbor tones | |
Study in Staccato in D Major | |
Appassionato in G minor | |
Overige edities - Alles bekijken
A Guide to Practicing David Poppers Hohe Schule Etudes Benjamin Whitcomb Geen voorbeeld beschikbaar - 2018 |
Veelvoorkomende woorden en zinsdelen
ascending and descending beat Begin by practicing benefit broken thirds cello chromatic scale contain context continue the sequence difficult measures Difficulty level diminished seventh chords dotted rhythms double stops ear training ensure example exercise below shows fermatas finger in thumb finger independence finger spacing following exercise fourth finger fully diminished seventh G-flat major half step high Target tempo idea intonation involves isolate and practice keys large shifts left hand legato Lohengrin major arpeggio major scale measure as written minor third mordents motion neighbor notes octave shape open string pattern pair of double passage as written pausing perfect fifth piece pitch classes pizzicato play the passage Popper asks Popper’s etude practice shifting practice the passage practicing the shifts scale fragment second finger second half shown slurs sound string crossings technique third finger thumb position transposed triplets try playing Try practicing tune warm-up routine whole step