Dada & SurrealismOctopus, 1980 - 176 pagina's "Dada and Surrealism dominated the art world between the First and Second World Wars. Intending to shock the spectator into a new awareness of reality, these movements were the expression of a revolt against Western civilization and culture. Robert Shaw looks at the ideas which lay at the hearts of two movements. He explains how the Dadas and Surrealists came to produce works whose bizarre power has made them the most instantly recognizable of all forms of modern art, while discussing the diversity within the two movements and the reasons for the ultimate break between them."--BOOK COVER. |
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Pagina 73
... automatic writing which had given Surrealism its initial impetus , were rather disappointing . But by then , the movement had developed its own momentum . The Surrealist imagination had acquired a whole armoury of weapons dream , love ...
... automatic writing which had given Surrealism its initial impetus , were rather disappointing . But by then , the movement had developed its own momentum . The Surrealist imagination had acquired a whole armoury of weapons dream , love ...
Pagina 79
... automatic method in poetry and by De Chirico's and Max Ernst's example in ... writer Maurice Barrès , staged by Breton , showed that the differences between the ... writing and other new - found methods of exploring the unconscious , for ...
... automatic method in poetry and by De Chirico's and Max Ernst's example in ... writer Maurice Barrès , staged by Breton , showed that the differences between the ... writing and other new - found methods of exploring the unconscious , for ...
Pagina 125
... Automatic writing is no more than the reintroduction of objective chance into language , whereas objective chance is the automatic writing of fate in seemingly raw facts . '38 The image and the analogy were the vehicles by which the ...
... Automatic writing is no more than the reintroduction of objective chance into language , whereas objective chance is the automatic writing of fate in seemingly raw facts . '38 The image and the analogy were the vehicles by which the ...
Veelvoorkomende woorden en zinsdelen
André Breton André Masson Apollinaire automatic writing Baader Baargeld Bellmer Berlin Dada BERLIN-FRIEDENAU Cabaret Voltaire Collage on paper convulsive beauty Cubism Dada art Dada lives Dada's dream erotic expression Expressionism Francis Picabia Freud frottage Gallery George Grosz Giorgio De Chirico Hans Bellmer Huelsenbeck Hugo Ball human humour imagery of Surrealism imagination Janco Jean Arp Joan Miró L'Amour fou London Lucy Lippard Magritte's Marcel Duchamp Marcel Jean Max Ernst mental Milan mind Modern Art Gift Moderna Museet movement Musée National d'Art Museum of Modern National d'Art Moderne objective chance Oil on canvas Opposite Overleaf left Overleaf right painter painting Paris Dada Paul Eluard photograph plate poetic poetry poets portrait Private Collection psychic Raoul Hausmann reality René Magritte revolution rien rope dancer accompanies Sade Salvador Dali Surrealism versus Dada surréalisme Surrealist Surrealist art Tatlin at home technique tion Tristan Tzara unconscious Vaché York Dada Yves Tanguy Zurich Dada