The Form of the Book: Essays on the Morality of Good Design

achieve appear artist beautiful become beginning canon capitals caps cause centered century color correct cover dash demand determined difficult divided effect entirely example face Figure followed font footnotes format Fraktur frequently German hand harmonious head headband height illustrations important indent italic jacket kind larger leading least less letters look margins matter means method necessary never notes original otherwise paper paragraph particular perfect perhaps period picture plates points position possible present printed printer produced proportions publisher quotation marks rarely ratio reader reason require roman rule script sentence separate shape sheet simple single sizes spacing style symmetrical text block thing tight tion Tschichold type area typefaces typesetting typography usually wide width word