WHISTLER LITHOGRAPHS—continued. 467 Little London. The curve of the river seen from the top of the Savoy Hotel, looking eastward. In foreground below the first arch of Waterloo Bridge. From the Printer's (Thomas T. Way) own Collection; an early proof especially selected by him for his own personal portfolio. 468 Waterloo Bridge. The first three arches of the bridge seen from a high point. The broad road of the Embankment full of vehicles passing under first bridge is continued in the distance, to right river with barges. From the Printer's (Thomas T. Way) own Collection; an early proof especially selected by him for his own personal portfolio. A portrait of the painter's brother (Dr. W. Whistler). £1 476 Firelight. WHISTLER LITHOGRAPHS-continued. Joseph Pennell. A portrait study of the artist. Lithograph. Size 6 by 5 inches, with margins. 1896. (W. 104.) £4 4s £2 2s £2 2s Lithograph. Size 8 by 6 inches, with margins. (W. 118.) £2 2s 480 Portrait of Whistler. Lithograph by T. R. Way. Size 8 by 5 inches, with margins. (1903.) Brilliant signed artist's proof. Only a few issued (No. 27) 481 Portrait of Whistler's Mother. £1 10s Full length, seated in profile, to left, dark dress, cap with long ends, curtain in background. Engraved by R. Josey after Whistler. Size 12 by 13 inches, with margins. 1879. £4 10s Nude female figure in foreground, behind her a man carrying Romulus and Remus to the banks of the Tiber. Size 53 by 33 inches. (B. 66.) 485 The Seven Virtues. £7 7s Series of seven plates, representing allegorical female figures. 486 The Virgin Standing on a Crescent. Size 4 by 3 inches. The Set, £4 4s £9 9s 1553. (B. 50.) |