Walter Benjamin: Overpowering ConformismEsther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Murmurs from Darkest Europe | 123 |
Time for an Unnatural Death | 168 |
Excavating and Remembering | 208 |
Notes | 236 |
276 | |
292 | |
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
actual Adorno aesthetic alienation apparatus appears artistic Artwork essay aura Autor als Produzent avant-garde become Begriff der Geschichte Benjamin notes Benjamin writes Berliner Chronik bourgeois bourgeoisie Brecht capitalist Charles Baudelaire collective commodity commodity fetishism communist concept consciousness critical critique cultural Das Kapital deutschen Faschismus dialectical economic eternal return experience Exposé fascism fetishism film flâneur forces Frankfurt/Main G.S.III Gershom Scholem Geschichte der Photographie human idea ideology Illuminations industrial insists intellectual Jugendstil Karl Marx Kleine Geschichte Konvolut Kunstwerk im Zeitalter labour London Lukács Marx Marx’s Marxist mass material materialist modern montage Nazi objects optical organization Pariser Passagen Passagenwerk pre-1935 past perception political potential progress proletariat reality reflection relations of production relationship representation reproduction revolution revolutionary sagenwerk Scholem second Technik Siegfried Kracauer social relations Soviet Union Street Suhrkamp Sürrealismus surrealist techniques Theorien des deutschen theory things Traumstadt Trotsky Trotsky’s Walter Benjamin Zeitalter seiner technischen