The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1854 |
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Pagina 20
... whole consistent with a con- sciousness of pleasure from the component parts ; -and the per- fection of which is , to communicate from each part the greatest immediate pleasure compatible with the largest sum of pleasure on the whole ...
... whole consistent with a con- sciousness of pleasure from the component parts ; -and the per- fection of which is , to communicate from each part the greatest immediate pleasure compatible with the largest sum of pleasure on the whole ...
Pagina 21
... whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- 7. 4 . plicity , —while , on the one hand , it distinguishes poetry from the arduous ...
... whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- 7. 4 . plicity , —while , on the one hand , it distinguishes poetry from the arduous ...
Pagina 24
... whole work is one great jest , comprehend- ing a world of jests within it , among which each maintains its own place without seeming to concern itself as to the relation in which it may stand to its fellows . In short , in Sophocles ...
... whole work is one great jest , comprehend- ing a world of jests within it , among which each maintains its own place without seeming to concern itself as to the relation in which it may stand to its fellows . In short , in Sophocles ...
Pagina 26
... whole moral system of the entertain- ment exactly like that of fable , consists in rules of prudence , with an exquisite conciseness , and at the same time an exhaustive ful- ness of sense . An old critic said that tragedy was the ...
... whole moral system of the entertain- ment exactly like that of fable , consists in rules of prudence , with an exquisite conciseness , and at the same time an exhaustive ful- ness of sense . An old critic said that tragedy was the ...
Pagina 27
... whole chorus advanced to the front of the orchestra , and thus put themselves in ideal connec- tion , as it were , with the dramatis personæ there acting . This thymele was in the centre of the whole edifice , all the measure- ments ...
... whole chorus advanced to the front of the orchestra , and thus put themselves in ideal connec- tion , as it were , with the dramatis personæ there acting . This thymele was in the centre of the whole edifice , all the measure- ments ...
Overige edities - Alles bekijken
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Volledige weergave - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Volledige weergave - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Volledige weergave - 1853 |
Veelvoorkomende woorden en zinsdelen
admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Juliet king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whole words writers
Populaire passages
Pagina 120 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Pagina 81 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Pagina 172 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Pagina 114 - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Pagina 105 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
Pagina 363 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
Pagina 163 - That we would do, We should do when we would, for this 'would' changes, And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing.
Pagina 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Pagina 102 - So soon as that spare Cassius. He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music...
Pagina 55 - The form is mechanic, when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material; — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.