Say It Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like Henry V, and Other Secrets from the World’s Greatest CommunicatorMcGraw Hill Professional, 4 mei 2001 - 313 pagina's Book Info A guide to better communication skills using the trademark persuasion style of famous playright, William Shakespeare. Takes examples from Shakespeare's characters and plays to illustrate the qualities and skills an excellent communicator must have, helping readers empower themselves to be more effective in front of an audience, as part of a team, or one-on-one. |
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Pagina 7
... many advice columns in business journals , what seems to be the biggest concern of those asking for help ? Most are looking for answers to communication - related problems : the 78 WHY THE BARD AS COMMUNICATION GURU ?
... many advice columns in business journals , what seems to be the biggest concern of those asking for help ? Most are looking for answers to communication - related problems : the 78 WHY THE BARD AS COMMUNICATION GURU ?
Pagina 8
Thomas Leech. looking for answers to communication - related problems : the overdemanding boss , the inconsiderate colleague , the foul- mouthed person in the next cubicle , the slacker team member who hogs the credit , the lack of ...
Thomas Leech. looking for answers to communication - related problems : the overdemanding boss , the inconsiderate colleague , the foul- mouthed person in the next cubicle , the slacker team member who hogs the credit , the lack of ...
Pagina 14
... made a mistake , the signed photograph when you needed to feel important , the private dinner when you felt left out , and , most remarkably , the ability to recognize the everyday problems * 14 SAY IT LIKE SHAKESPEARE.
... made a mistake , the signed photograph when you needed to feel important , the private dinner when you felt left out , and , most remarkably , the ability to recognize the everyday problems * 14 SAY IT LIKE SHAKESPEARE.
Pagina 15
Thomas Leech. most remarkably , the ability to recognize the everyday problems of staff frictions and competitions . " What About Not So Good Communication ? His forward voice , now , is to speak well of his friend ; his backward voice ...
Thomas Leech. most remarkably , the ability to recognize the everyday problems of staff frictions and competitions . " What About Not So Good Communication ? His forward voice , now , is to speak well of his friend ; his backward voice ...
Pagina 31
... problem , and we regularly see the result of his adding communication skills to his background ( and he collects the reward ) . To business that we love we rise betime , And go to ' t with delight . Antony , Antony and Cleopatra . 4 , 4 ...
... problem , and we regularly see the result of his adding communication skills to his background ( and he collects the reward ) . To business that we love we rise betime , And go to ' t with delight . Antony , Antony and Cleopatra . 4 , 4 ...
Overige edities - Alles bekijken
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Geen voorbeeld beschikbaar - 2001 |
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Geen voorbeeld beschikbaar - 2003 |
Veelvoorkomende woorden en zinsdelen
achieve action Antony and Cleopatra apply asked attention audience Bard's better body language boss Brutus Chapter coach colleagues communication skills Coriolanus dialogue effective employees example eyes Falstaff feedback give Hamlet head hear Henry Henry IV Henry VI Here's Julius Caesar keep King Lear leader listening look Love's Labour's Lost Macbeth Marlin Fitzwater meeting Merchant of Venice munication nonverbal options Othello perhaps person poor positive preparation presentation President presidential problem props question recall receiver response Richard Richard III role San Diego San Diego Union-Tribune seminar sender session Shakespeare showed smile someone sound speak speaker speech story style success supervisor Take-Away Ideas tale talk tell thee things thou topic Troilus and Cressida visuals voice What's words
Populaire passages
Pagina 104 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Pagina 59 - Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun And descant on mine own deformity ; And therefore, since I cannot prove a lover To entertain these fair, well-spoken days, I am determined to prove a villain And hate the idle pleasure of these days.
Pagina 94 - Your face, my thane, is as a book, where men May read strange matters : — to beguile the time, Look like the time ; bear welcome in your eye, Your hand, your tongue : look like the innocent flower, But be the serpent under it.
Pagina 24 - Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter ; that, when he speaks, The air, a charter'd libertine, is still, And the mute wonder lurketh in men's ears, To steal his sweet and honey'd sentences...
Pagina 279 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Pagina 147 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Pagina 38 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
Pagina 199 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.