The Spectator ...J.M. Dent & sons, Limited, 1934 |
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Pagina 327
... Addison's further plea in No. 10 , and Belvidera's letter in No 205. Addison's delicate pleasantries on feminine foibles , in the Tatler and Spectator , so took the public fancy that they became the prevailing topics of the humorous and ...
... Addison's further plea in No. 10 , and Belvidera's letter in No 205. Addison's delicate pleasantries on feminine foibles , in the Tatler and Spectator , so took the public fancy that they became the prevailing topics of the humorous and ...
Pagina 328
... Addison refers to , and quotes from , the English and Italian edition of the libretto published in 1711 by Thomas Howlatt . PAGE 22. Hendel or Händel , the composer , known as Handel to later generations in England . Aaron Hill writes ...
... Addison refers to , and quotes from , the English and Italian edition of the libretto published in 1711 by Thomas Howlatt . PAGE 22. Hendel or Händel , the composer , known as Handel to later generations in England . Aaron Hill writes ...
Pagina 353
... Addison is quoting the opening lines of Du Fresnoy's De Arte Graphica ( 1658 ) . See the editor's Elizabethan Critical Essays ( 1904 ) , i . pp . 386-387 . -Longinus begins his Treatise on the Sublime with an ad- verse critique of the ...
... Addison is quoting the opening lines of Du Fresnoy's De Arte Graphica ( 1658 ) . See the editor's Elizabethan Critical Essays ( 1904 ) , i . pp . 386-387 . -Longinus begins his Treatise on the Sublime with an ad- verse critique of the ...
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