The Place of the Audience: Cultural Geographies of Film ConsumptionBloomsbury Academic, 4 jul 2003 - 281 pagina's It has been a recurring complaint both within and against film studies that it has largely ignored the activities of audiences. This book aims to address this absence (as compared to television studies) and to explain its cause. The authors argue that there is a social context in which the consumption of film can be understood or studied historically; demonstrating that a concentration on the place of film consumption within the changing cultural politics of the city can offer a compelling and productive focus of analysis. This book examines not only the different meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, terrestrial television transmission, video rental and retail, and satellite/cable), but also the meanings of the activities of film consumption associated with these sites. Through use of archival materials and ethnographic studies of the audience, the book examines the meanings of film consumption from the earliest film showings up to the 21st century. |
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Pagina 6
... industry's ' generic typology of its audience ' provided ' a means through which Hollywood could negotiate the generic organisation of its products'.20 According to Maltby , during the 1930s , the industry believed that there was a ...
... industry's ' generic typology of its audience ' provided ' a means through which Hollywood could negotiate the generic organisation of its products'.20 According to Maltby , during the 1930s , the industry believed that there was a ...
Pagina 21
... industry after World War I. The war had little impact on the city , although many locals were killed during the con- flict , but in its aftermath there was a change in the city's textile industries . If the lace industry contracted ...
... industry after World War I. The war had little impact on the city , although many locals were killed during the con- flict , but in its aftermath there was a change in the city's textile industries . If the lace industry contracted ...
Pagina 22
... industry had already gone into decline after World War I , but hosiery continued to do well . Even in the mid - 1980s , employment in textiles was not much lower than it had been during the mid - 1920s . However , the industry has been ...
... industry had already gone into decline after World War I , but hosiery continued to do well . Even in the mid - 1980s , employment in textiles was not much lower than it had been during the mid - 1920s . However , the industry has been ...
Inhoudsopgave
Contexts of Film Consumption | 16 |
Class Gender and Public Space in Early Film Consumption | 37 |
Slum Clearance Cinema Building and Differentiated Experiences | 83 |
Copyright | |
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activities adverts argued associated attract audiences Bouchercon British Broadway Bulwell cable cinema building cinemagoing cinematographic cinematographic theatres city centre city-centre claimed closure concerns consumer context Cornerhouse Council House cultural decline demonstrated domestic Elite entertainment estates example exhibition experience feature film consumption flâneur Gomery Goose Fair Hollywood Hollywood Video home cinema Ibid industry July leisure London Mark Jancovich meanings Media Centre middle classes modernity Morley movie multiplex Nottingham Nottingham Evening Post Nottingham Film Odeon organised period picture by Mark Picture House popular present problem production programme public space relation respondents result Ritz satellite screen seats seen sense Showcase shown silent films simply Sneinton social sound films specific student RMQ suburban suburbs Sunday opening supposedly talkies technologies television viewing town centre video nasties watch women working-class
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Brand Hollywood: Selling Entertainment in a Global Media Age Paul Grainge Geen voorbeeld beschikbaar - 2008 |