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Boeken Boek 1 - 9 van 9 over Designers thus define actors with specific tastes, competences, motives, aspirations,....
" Designers thus define actors with specific tastes, competences, motives, aspirations, political prejudices, and the rest, and they assume that morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators... "
Inside the Politics of Technology: Agency and Normativity in the Co ... - Pagina 133
geredigeerd door - 2005 - 308 pagina’s
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Shaping Technology/building Society: Studies in Sociotechnical Change

...rest, and they assume that morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators is that of "inscribing" this vision of (or prediction about) the world in the technical content of the new object. I will call the end product...
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Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal ...

Thierry Bardini - 2000 - 284 pagina’s
...themselves plots" (Ricoeur 1992, 143). 2. Madeleine Akrich (1992, 208) defined the "script" as follows: "A large part of the work of innovators is that of 'inscribing' this vision of (prediction about) the world in the technical content of the new object. I will call the end product...
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From Control to Drift: The Dynamics of Corporate Information Infastructures

Claudio Ciborra - 2000 - 246 pagina’s
...rest, and they assume diat morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators is that of 'inscribing' this vision of (or prediction about) the world in the technical content of the new object . . . The technical realization...
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Resonances and Dissonances in Development: Actors, Networks and Cultural ...

Paulus Gerardus Maria Hebinck - 2001 - 296 pagina’s
...hypotheses about the entities that make up the world into which the object is to be inserted. (...) A large part of the work of innovators is that of '' inscribing' this vision of (or prediction about) the world in the technical content of the new object. (...) The technical realisation...
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Narratives We Organize by

Barbara Czarniawska-Joerges, Pasquale Gagliardi - 2003 - 275 pagina’s
...rest, and they assume that morality, technology, science and economy will evolve in particular ways. A large part of the work of innovators is that of inscribing this vision of (or prediction about) the world in the technical content of the new object. I will call the end product...
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Digitizing the News: Innovation in Online Newspapers

Pablo J. Boczkowski - 2005 - 243 pagina’s
...rest, and they assume that morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators is that of 'inscribing' this vision of—or prediction about—the world in the technical content of the new object." Although the notion...
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Social Learning in Technological Innovation: Experimenting with Information ...

Robin Williams, James Stewart, Roger Slack - 2005 - 270 pagina’s
...concept of script in the following terms 'Designers thus define actors with specific tastes, competences, motives, aspirations, political prejudices, and the...innovators is that of "inscribing" this vision of (or prediction about) in the technical content of the new object. I will call the end product of this...
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Human-Machine Reconfigurations: Plans and Situated Actions

Lucy Suchman - 2006
...rest, and they assume that morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators is that of 'inscribing' this vision of (or prediction about) the world in the technical content of the new object. I will call the end product...
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Resources, Co-Evolution and Artifacts: Theory in CSCW

Mark S. Ackerman, Christine A. Halverson, Thomas Erickson, Wendy A. Kellogg - 2007 - 332 pagina’s
...rest, and they assume that morality, technology, science, and economy will evolve in particular ways. A large part of the work of innovators is that of "inscribing" this vision of (or prediction about) the world in the technical content of the new object. Drawing on the ideas of...
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