Mutability and Division on Shakespeare's StageUniversity of Delaware Press, 2004 - 223 pagina's This book explores how Shakespeare's plays dramatize the ways in which the struggle with mortality generates intractable divisions within human experience. The author illuminates how different plays uniquely illustrate, for example, the convergence in human affairs of political conflict and conflicting ways of answering life's finitude. Divisions within the self are further explored in relation to such dilemmas as conflicts between individual and collective ways of confronting death, or confusion between secular and sacred views of temporality. The cry of Remember Me from the Ghost of Hamlet's father, the melancholy Jacques' reflections on mortality, Leontes' fear of bodily corruption - they all under come under study to reveal how they express attitudes toward death that divide the self and the social order. The book is also rooted in the theater, and so relates the theatrical conventions of Shakespeare's time to the thematic matter of the book. The author demonstrates how the plays' divisions are related to stage practices and the mixing of illusionistic and nonillusionistic modes of acting. Yu Jin Ko is Associate Professor of English at Wellesley College. |
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Pagina 193
... Renaissance culture " did not display a morbid fear of homoeroticism as such " ( Impersonations , 35–36 ) , evi- denced especially by the charged sexual ambiguities in the language of male friendship . 31. Orgel , Impersonations , 124 ...
... Renaissance culture " did not display a morbid fear of homoeroticism as such " ( Impersonations , 35–36 ) , evi- denced especially by the charged sexual ambiguities in the language of male friendship . 31. Orgel , Impersonations , 124 ...
Pagina 213
... Renaissance , Vol . 1. New York : Macmillan , 1976 . Frye , Roland . The Renaissance Hamlet . Princeton : Princeton University Press , 1984 . Garber , Marjorie . Shakespeare's Ghost Writers . New York and London : Methuen , 1987 ...
... Renaissance , Vol . 1. New York : Macmillan , 1976 . Frye , Roland . The Renaissance Hamlet . Princeton : Princeton University Press , 1984 . Garber , Marjorie . Shakespeare's Ghost Writers . New York and London : Methuen , 1987 ...
Pagina 219
Yu Jin Ko. Singh , Jyotsna . " Renaissance Antitheatricality , Antifeminism , and Shakespeare's Antony and Cleopatra . " Renaissance Drama . New Series 20 ( 1989 ) : 99–121 . Skura , Meredith Anne . Shakespeare the Actor and the Purposes ...
Yu Jin Ko. Singh , Jyotsna . " Renaissance Antitheatricality , Antifeminism , and Shakespeare's Antony and Cleopatra . " Renaissance Drama . New Series 20 ( 1989 ) : 99–121 . Skura , Meredith Anne . Shakespeare the Actor and the Purposes ...
Inhoudsopgave
Preface | 7 |
Acknowledgments 15 | 19 |
The Comic Close of Twelfth Night and Violas Noli | 48 |
Copyright | |
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Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Gedeeltelijke weergave - 2006 |