Drama: An IntroductionThis new anthology is designed for Introduction to Drama courses. It features Robert DiYanni’s clear presentation of the elements along with his three-part pedagogy of experience, interpretation, and evaluation. DRAMA also includes full coverage of reading and writing about drama with two student papers. |
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Inhoudsopgave
INTRODUCTION Reading and Writing about | 1 |
Reading Stories | 21 |
Types of Short Fiction | 38 |
Elements of Fiction | 44 |
Language and Style | 81 |
Writing about Fiction | 103 |
Freewriting | 106 |
Three Fiction Writers in Context | 119 |
Further in Summer than the Birds | 554 |
Tell all the Truth but tell it slant | 555 |
A Route of Evanescence | 556 |
Introduction to Robert Frost | 557 |
Critical Comments by Frost | 560 |
from The Constant Symbol | 561 |
from The Unmade Word or Fetching and FarFetching | 562 |
Critics on Frost | 563 |
Introduction to D H Lawrence | 121 |
Stories | 128 |
Introduction to Flannery OConnor | 164 |
Stories | 171 |
Introduction to Sandra Cisneros | 207 |
Stories | 213 |
A Collection of Short Fiction | 219 |
PART TWO POETRY | 393 |
Types of Poetry | 409 |
Diction | 422 |
Imagery | 429 |
Simile and Metaphor | 436 |
Symbolism and Allegory | 442 |
Syntax | 449 |
Rhyme Alliteration Assonance | 457 |
Rhythm and Meter | 465 |
TRANSLATED BY EDMUND KEELEY AND PHILIP | 482 |
Transformations | 485 |
Williams | 494 |
Bondone Adoration of the Magi | 511 |
Writing about Poetry | 517 |
Three Poets in Context | 531 |
Critics on Dickinson | 537 |
Three Poems by Emily Dickinson with Altered Punctuation | 542 |
Poems | 543 |
taste a liquor never brewed | 544 |
Wild NightsWild Nights | 545 |
felt a Funeral in my Brain | 546 |
After great pain a formal feeling comes | 547 |
We grow accustomed to the Dark | 548 |
died for Beautybut was scarce | 549 |
The Heart asks Pleasurefirst | 550 |
There is a painso utter SSI 632 The Brainis wider than the Sky SSI 650 Painhas an element of Blank | 551 |
Remorseis Memoryawake | 552 |
A narrow Fellow in the Grass | 553 |
Poems Mowing | 568 |
Mending Wall | 570 |
Birches | 571 |
A Collection of Poems | 603 |
Christopher Marlowe The Passionate Shepherd to His Love | 610 |
John Donne Death be not proud | 616 |
Alexander Pope from An Essay on Man | 623 |
Samuel Taylor Coleridge Kubla Khan | 632 |
John Keats Ode to a Nightingale | 639 |
John Keats Ode on a Grecian Urn | 641 |
Alfred Lord Tennyson Ulysses | 647 |
Walt Whitman Crossing Brooklyn Ferry | 656 |
To a Young Child | 662 |
Wallace Stevens Thirteen Ways of Looking at a Blackbird | 668 |
John Crowe Ransom Piazza Piece | 677 |
W H Auden The Unknown Citizen | 683 |
A Selection of Contemporary Poems | 699 |
Reading Plays | 723 |
Types of Drama | 740 |
Writing about Drama | 751 |
Sophocles in Context | 767 |
Shakespeare | 851 |
William Shakespeare Hamlet Prince of Denmark | 941 |
Ibsen | 1052 |
A Collection of Modern and Contemporary | 1102 |
John Millington Synge Riders to the Sea INIO | 1110 |
PART FOUR CRITICAL PERSPECTIVES | 1345 |
Writing with Sources | 1389 |
Writers Lives | 1425 |
GLOSSARY | 1447 |
ACKNOWLEDGMENTS | 1453 |
INDEX | 1465 |
S71 568 | 1470 |
Copyright | |