The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 23
... Goldsmith's critical values with his creative artistry . One need not force a modern view of these two Au- gustanisms through an external interpretation onto Gold- smith's critical views : Goldsmith himself was aware of such a ...
... Goldsmith's critical values with his creative artistry . One need not force a modern view of these two Au- gustanisms through an external interpretation onto Gold- smith's critical views : Goldsmith himself was aware of such a ...
Pagina 41
... Goldsmith in the middle or more elegant style , and Burke in that of the higher order of eloquence . . . . the claims of Goldsmith to take rank as one of the first , if not the very first of the elegant writers of our country , must not ...
... Goldsmith in the middle or more elegant style , and Burke in that of the higher order of eloquence . . . . the claims of Goldsmith to take rank as one of the first , if not the very first of the elegant writers of our country , must not ...
Pagina 168
... Goldsmith his artistic due because they have found it on accepted the implicit corollary that the novel is an artistic failure . aatisthe failove More recent A suggestions Fortunately , in the last forty years a few critics have ...
... Goldsmith his artistic due because they have found it on accepted the implicit corollary that the novel is an artistic failure . aatisthe failove More recent A suggestions Fortunately , in the last forty years a few critics have ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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