The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 8
... Pope , would find that he would be competing against the collected works of these authors who were now en- shrined as classics . If Juvenal and Horace were Roman models for the early eighteenth - century Augustans , Swift and Pope were ...
... Pope , would find that he would be competing against the collected works of these authors who were now en- shrined as classics . If Juvenal and Horace were Roman models for the early eighteenth - century Augustans , Swift and Pope were ...
Pagina 37
... Pope's An Essay on Criticism ( disregarding the analytical table at the beginning , quite probably not of Pope's mak- ing ) would show that , like Goldsmith , Pope was pleading for an organic , creative , and synthetic ( rather than ...
... Pope's An Essay on Criticism ( disregarding the analytical table at the beginning , quite probably not of Pope's mak- ing ) would show that , like Goldsmith , Pope was pleading for an organic , creative , and synthetic ( rather than ...
Pagina 45
... Pope ” must follow " Swift " in order to avoid ambiguity in the following relative clause by showing that " who " refers to Pope and not to Swift . But in the over - all context there is no real ambiguity since a passage in Pope's ...
... Pope ” must follow " Swift " in order to avoid ambiguity in the following relative clause by showing that " who " refers to Pope and not to Swift . But in the over - all context there is no real ambiguity since a passage in Pope's ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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